Domine labia mea aperies - Deus in adjutorium meum
2
O primus homo coruit (Versus) (zu 2 Stimmen)
3
Resonemus hoc natali
4
Puer natus est (Introït tropé)
5
Kyrie
6
Propter veritatem
7
Viderunt omnes - Notum fecit Dominus
8
In seculum Longum
9
In seculum Viellatoris
10
In seculum Breve
11
In seculum D'Amiens longum
12
Puisque bele dame m'eime (Motette)
13
Ne sai, que je die (Motette)
14
Dame que je n'os noumer (Motette)
15
S'on me regarde (Motette)
16
Ave Maria gracia plena (Marienhymnus)
17
Pia Mater gratie (Marienhymnus)
18
Ave nobilis venerabilis (Marienhymnus)
19
Orbis factor (Kyrie)
20
Kyria christifera (Kyrie)
21
Gloria
22
Sanctus - Benedictus
23
Virtute numinis (Agnus Dei)
Descrizione prodotto
Brani
1.Domine labia mea aperies - Deus in adjutorium meum 2.O primus homo coruit (Versus) (zu 2 Stimmen) 3.Resonemus hoc natali 4.Puer natus est (Introït tropé) 5.Kyrie 6.Propter veritatem 7.Viderunt omnes - Notum fecit Dominus 8.In seculum Longum 9.In seculum Viellatoris 10.In seculum Breve 11.In seculum D'Amiens longum 12.Puisque bele dame m'eime (Motette) 13.Ne sai, que je die (Motette) 14.Dame que je n'os noumer (Motette) 15.S'on me regarde (Motette) 16.Ave Maria gracia plena (Marienhymnus) 17.Pia Mater gratie (Marienhymnus) 18.Ave nobilis venerabilis (Marienhymnus) 19.Orbis factor (Kyrie) 20.Kyria christifera (Kyrie) 21.Gloria 22.Sanctus - Benedictus 23.Virtute numinis (Agnus Dei)
Dettagli prodotto
Fuori produzione
:
No
Dimensioni prodotto
:
14,07 x 0,71 x 12,65 cm; 90,72 grammi
Produttore
:
Harmonia Mundi
Etichetta
:
Harmonia Mundi
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Harmonia mundi se lance dans une série consacrée à l'Histoire de la musique à travers les âges. La Naissance de la polyphonie vous emmène en quête de spiritualité.
All performances on this CD are exquisite. That is no surprise considering who the performers are. Perotin's "Viderunt omnes" is lively, does not drag. One could almost dance to it. Who knows? Maybe Perotin derived some inspiration from dance rhythms. After all, the text and cantus firmus are from the Gradual for the Mass of Christmas Day. Also, the timbres of the voices, especially the top ones, are well differentiated. A listener can easily hear and appreciate the voice crossing and voice exchange, a.k.a. "Stimmtausch."
Anyone wishing to know if the performances are "historically informed" will not be wiser by reading the liner notes. What little they say about early polyphony may be accurate, but they do not even include words or a description of the selections themselves. I would not expect write a doctoral dissertation based on liner notes, but these could have been better. Sooner or later I may find answers to whatever questions I have about the origins of these pieces, but the liner notes do not provide the least guidance as to where to begin.
For example, music history students may have been led to believe that duple meter did not exist before the Ars Nova movement, which bequeathed the essentials of modern notation. Before then, supposedly, only triple meter was notated through the rhythmic modes, as in "Viderunt Omnes." Other musicologists claim that both duple and triple meter are as old as man--just not notated before the high and late Middle Ages. The realization of "Resonemus hoc Natali" is definitely in duple meter. How the performers decided upon this--and the result is AWESOME!--would have interested me. The CD is 3/8" wide because it is made of sturdy cardboard. One of its sides has a slit for the liner notes. A standard jewel case is only 1/4" wide and could hold a more extensive booklet.
Naturally, people buy CDs for listening pleasure, and "Resonemus hoc Natali" will surely enliven Christmas for those who are weary of all the elevator holiday fare. All the same, early music enthusiasts tend to be curious about its history. If these notes had been more thorough, I would have given the CD five stars.
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